Download PDF Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
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Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
Download PDF Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
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Audible Audiobook
Listening Length: 8 hours and 56 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Tantor Audio
Audible.com Release Date: July 1, 2011
Whispersync for Voice: Ready
Language: English, English
ASIN: B0058YNFM8
Amazon Best Sellers Rank:
An overview of horror movies from "Night of the Living Dead" (1968) and covering most of the main horror movies from the 1960s and 70s. He discusses "Rosemary's Baby", "Carrie", "Texas Chainsaw Massacre", "Last House on the Left", "Halloween" and the directors and writers behind them. This is well-written, VERY entertaining and (at 238 pages)short. Some of the stories I knew but Zinoman tells them in such an entertaining fashion I didn't mind reading them again. What's very interesting is how it chronicles the directors early lives to see what influenced them. It also gets into their fights and accusations against each other. I LOVED reading this.HOWEVER I do have a few minor complaints. He complains about the end of the movie "Psycho" saying we didn't need an explanation. I disagree. He also complains about Hitchcock keeping it in. Hitchcock didn't write "Psycho"--Robert Bloch did. Blame him. I also disagree with his views on "Carrie". While I don't disagree that it's an important movie calling it operatic is a little bit ridiculous. I think that chapter was a little weak. And also, Stephen KIng DOESN'T like the character of Carrie and it comes through loud and clear in the book. Zinoman seems to think he does. Still, these are small complaints. The rest of the book is just great! One last complaint--it was too short! I wanted it to keep going. I'd love to see what Zinoman thinks of the "Scream" films (which he mentions only in passing) and the "Friday the 13th" series (which he doesn't mention at all!). Basically this is a must-read for all horror fans--and all NON-horror fans!
"Shock Value" reminded me a lot of Stephen King's "Danse Macbre", or at least the parts about film (King's book covers horror from 1950 to 1980; film, fiction, television, etc., not just film as "Shock Value" does). Even though both works cover the same era, many of the same directors and films, I liked the King book better. There's something lacking in Zinoman's book, but I can't put my finger on it. I think part of it comes from the fact that King saw many of the films both he and Zinoman talk about (Night of the Living Dead, Texas Chainsaw Massacre, Alien, Halloween, etc.) in the theater when they first came out, while Zinoman did not. The book goes into what influenced the movies in terms of society, culture, events, etc., of the time, which would be things King lived through and Zinoman just read about. King was writing about these things first hand; what was happening at the time in society, the reaction to the movies, etc., and Zinoman wasn't. And I think that's a key distinction. King was writing an informal history of horror, while Zinoman was trying to write a fairly serious work on it, both of them succeed, but King's result it better, I feel.Good book, and definitely worth reading if you're a horror fan, but falls flat in places.
This is a well written, "behind-the-scenes" history of the rise of horror cinema.I'll admit that I never really "got" slasher flicks, or even enjoyed them much, until this book provided additional perspective. I'd always been more interested in plot-heavy, suspenseful style horror - but learning the history behind the rise of the genre, and its creators, changed that.If you're a fan of horror films of any time, are a film buff, or enjoy the history of pop-culture/film, I'd recommend the book.
First of all, I will say if you like horror films, I wholeheartedly recommend this book. There is too little written on the subject, and given that, I was delighted to find this book, and overall it did not disappoint.Mr. Zinoman is a good writer, and within the areas that he chooses to focus, he has done a good deal of research and provides the reader with interesting insights.My main complaint would be that there was not enough. The book covers the initial films of Craven, Carpenter, De Palma, Friedkin, Polanski, Romero and Hooper to a good deal of depth. But he ignores much, if not all, of the later works of these artists. I would have liked to have heard much more about how these directors evolved. In some cases, like Hooper or Romero, where there careers sort of flamed out (I know Romero fans won't agree, but how many zombie moves can one man make?), but many of them remained vital for many years. I was especially disappointed that there was not more coverage of Body Double and the Thing. These are two of the finest thriller/horror movies ever made IMO, and were fairly solidly within the time period covered by the book, yet were basically left out for some reason (I'm guessing time limitations, as the whole book though well done does feel a bit rushed). Maybe part two.That aside, I did thoroughly enjoy reading this. Hopefully there will be more like it!
A great read about the history of horror movies! Reading this book, I also saw the original "Texas Chainsaw Massacre" movie (mentioned in this book). I will never sleep again.
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